More than a poplar plank: the shape and subtle colors of the masterpiece Mona Lisa by Leonardo

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DOI	Resolve DOI: https://doi.org/10.1117/12.705411
Author	Search for: Blais, François¹; Search for: Taylor, John¹; Search for: Cournoyer, Luc¹; Search for: Picard, Michel¹; Search for: Borgeat, Louis¹; Search for: Godin, Guy¹; Search for: Beraldin, Jean-Angelo¹; Search for: Rioux, Marc¹; Search for: Lahanier, C.; Search for: Mottin, B.
Affiliation	National Research Council of Canada. NRC Institute for Information Technology
Format	Text, Article
Conference	The IS&T/SPIE's Annual Symposium on Electronic Imaging, January 29-30, 2007, San Jose, CA, USA
Subject	Mona Lisa; Joconde; Gioconda; Leonardo da Vinci; 3D imaging; laser scanner; color; underdrawing; glaze; sfumato
Abstract	During the autumn of 2004, a team of 3D imaging scientists from the National Research Council of Canada (NRC) was invited to Paris to undertake the 3D scanning of Leonardo's most famous painting. The objective of this project was to scan the Mona Lisa - obverse and reverse - in order to provide high-resolution 3D image data of the complete painting to help in the study of the structure and technique used by Leonardo. Unlike any other painting scanned to date, the Mona Lisa presented a unique research and development challenge for 3D imaging. This paper describes this challenge and presents results of the modeling and analysis of the 3D and color data.
Publication date	2007
Publisher	SPIE
In	Videometrics IX 9E1103.
Series	Proceedings of SPIE, no. 6491.
Language	English
Peer reviewed	Yes
NRC number	NRCC 48799
NPARC number	5765609
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Record identifier	29adf5c9-0907-4bc1-acf2-2e7bec940246
Record created	2009-03-29
Record modified	2020-05-10

Date modified:: 2024-12-22